Dabah (2002)

"A seventh album from Senegalese artist Ismaël Lo. The album starts out with a powerful vocal showpiece in "Aiwa," followed by a light song in French. Following is the dancehall-worthy "Biguisse," with its thick beats, followed by the slower "Amoul Solo" and the heart-wrenching title track. The next two tracks bring the urban groove back, and the invocation of a democratic Africa presents a distinct Latin flavor. "Diour Sani" and "Badara" show off more guitar work from Ismaël Lo, as well as a bit of harmonica in "Badara." "Ma Dame" brings a loping, reggae-like beat, and "N'Dally" returns the Parisian dance sounds. "Xalas" shows a more chaotic, rhythmic side to Lo's composing, and "Mam" follows it up carefully, keeping in the same tone and even repeating a bit of the chorus. Punchy horns and a complex beat serve the listener a treat on the way out of the album. Throughout, it's a worthwhile album, showing a multitude of sides to Lo's songwriting abilities." (Adam Greenberg, Allmusic)