"...The musicians {in the newly conquered Mexico} and their repertoire showed every characteristic of their Spanish origin. It was music by Morales that moved the assembly so much when the death of Charles V was commemorated in 1558. It was Morales whose works, especially his Magnificats, formed the basis and most lasting influence in the New World churches and cathedrals. Of composers not Spanish, there is no doubt that Palestrina became the most popular all the way from Cuzco, Lima, Quito and Bogotá to Guatemala and the numerous cathedrals of Mexico itself." (fragment uit de hoestekst) 'If like me, your knowledge of Mexican music was previously, shall we say undeveloped, you may similarly be stunned by the treasures unveiled here' (The Music Magazine) 'This is a magnificent recording. Pure Mexican gold' (Gramophone) 'Unusual, timely, interesting, and beautiful' (Fanfare, USA)
Nederlands
| Titel | Masterpieces of Mexican polyphony: Franco, López Capillas, Gutiérrez de Padilla, De Salazar |
| Secundaire auteur | James O'Donnell |
| Type materiaal | CD |
| Uitgave | Helios, 1990 |
| Overige gegevens | 1 disc |
| Annotatie | Werken: (1) Hernando Franco: Salva regina; (2) Juan Gutiérrez de Padilla: Deus in adiutorium; (3) Juan Gutiérrez de Padilla: Mirabilia testimonia; (4) Juan Gutiérrez de Padilla: Lamentatio Jeremiae a 6 (Lamentaties voor Witte Donderdag); (5) Francisco López Capillas: Alleluia. Dic nobis, Maria; (6) Francisco López Capillas: Magnificat quarti toni; (7) Juan Gutiérrez de Padilla: Salve regina; (8) Antonio de Salazar: O sacrum convivium. Uitvoerenden: James O'Donnell, Westminster Cathedral Choir, Andrew Watts, Andrew Lawrence-King, Iain Simcock. |
| Taal | Nederlands |
| Onderwerp algemeen | Renaissance ; Barok ; VOCAAL: koor a capella (zonder begeleiding) ; VOCAAL: koor (en soli) met instr. beg. - tot ca. 1750 |