Gradualia The Marian masses ; vol.1 (1990)

William Byrd, the leading composer in Elizabethan England, appears to have retired from active life at court around 1593, his fiftieth year. He moved his family from Harlington (near the present Heathrow airport) to a village on the other side of London deep in the Essex countryside. His new home at Stondon Massey was a few miles from Ingatestone, the more private of the two Essex seats of a landed magnate named Sir John Petre, one of Byrds richest patrons. Like Byrd and his family, the Petres were Roman Catholics, and Ingatestone was a protected centre where the Roman liturgy could be celebrated with little interference from hostile authorities. Byrds move also marked the beginning of a new phase in his composition. Motets of protest and tribulation, written in an expansive and often madrigalian style, and clearly aimed at the situation of the Roman Catholic minority in England, had been characteristic of the Cantiones Sacrae of 1589 and 1591. (...)