"Waylon Jennings entered Scotty Moore's Music in 1970 to record a session for a radio program called The Navy Hoedown. Jennings and his touring band went in and cut 14 songs, reaching back for the early hits "Only Daddy That'll Walk the Line" and "Stop the World and Let Me Off," but concentrating on his progressive country of the dawn of the '70s. This is the music that's been revived and refurbished by Robby Turner. The Lost Nashville Sessions adds flair to existing studio recordings - a big difference, since this is essentially sprucing up 1970 recordings so they more comfortably fit a 2016 aesthetic. Turner remains faithful to the rangy sound of Jennings in 1970 but all the additional harmonies, keyboards, guitars, and replaced rhythm sections give this a clean, tidy appearance that pushes Waylon toward an uncanny valley: it sounds pleasant, but ultimately it's disconcerting." (AllMusic)
"Arild Staffan Möller (born 26 March 1955), known professionally as Ale Möller, is a Swedish musician and composer. He was born and grew up in Scania in southern Sweden and started in music as a jazz trumpeter. He plays traditional Scandinavian music. He is also a notable proponent of world music, combining Swedish folk traditions with those of Shetland, Greece, India, and West Africa. Ook in dit album zijn al deze factoren terug te horen, in het eerste nummer kunt u luisteren naar prachtige fluitmelodiën in combionatie met het Canadese instrument de "mandola", dit is een getokkeld snaarinstrument dat behoort tot de familie van de mandoline. Afhankelijk van zijn stemming krijgt het de rol van alt of tenor. De alt-stemming (C-G-D-A, een kwint lager dan de mandoline) zie je meer in de Verenigde Staten en Canada. De tenor-stemming (G-D-A-E, een octaaf lager dan de mandoline) is vanuit Duitsland stilaan de standaard geworden in Europa." (wikipedia, muziekbank f.t.k)
"Williams is not Nashville country, at least not the way Nashville wants its country these days. The ragged, loose energy of this record sounds a bit like Grandpa Jones on meth, and if that sounds like it might be awful, it really isn't, and there's a fun, what-the-hell attitude on this record, stoked by songs like the loose banjo ramble that opens things up, "Nearly Gone"; the blistering hillbilly romp of the title tune, "Brothers of the 4X4"; the woozy "Ain't Broken Down" (which gets a reprise on the second disc as "Broken Boogie"); and the skewed Western swing of "Possum in a Tree." These songs are fun, energetic, and full of backcountry outlaw attitude that makes them poison to the Nashville establishment. That's the way Hank3 wants it The term maverick was invented for Hank3, and his certainty and attitude make you want to root for him." (Review Allmusic)
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