Met o.a. Sonata Terza, dat op 5 april 2018 door NeoBarock vertolkt wordt in het Muziekcentrum, Enschede. "Philipp Heinrich Erlebach (1657-1714) worked for most of his career at the same court in Germany's Thuringia region. He was hailed as a top composer in his own time, but an archive fire destroyed most of his manuscripts. So he was almost forgotten. Historical-performance violin specialist Rodolfo Richter has unearthed a set of six Erlebach sonatas for violin, viola da gamba, and continuo, and they offer tantalizing hints that the fire might have robbed us of a compositional giant. As Erlebach himself pointed out and liner note Robert Rawson explains further, the composer sought to infuse Germanic counterpoint into suite-like groupings of dances preceded by multipart introductions. To this end he emancipated the viola da gamba from its usual continuo role and gave it an active part that would still have sounded unusually independent a generation later." (James Manheim, Allmusic; 4,5 uit 5 sterren)
Bevat ook: Sonata quinta a quattro, viole de gamba o come piace / Giovanni Legrenzi. Muss der Tod denn ach entbinden (uit: Fried- und freudenreiche Hinfahrt, BuxWV.76) / Dietrich Buxtehude. Sonata IV pour violon et basse continue / Ignazio Albertini. - 1. O Jesu nomen dulce, SWV.308 / Heinrich Schutz. 2. Ach, dass ich Wassers g'nug hatte / Johann Christoph Bach. 3. Salve mi Jesu / Franz Tunder. 4. Wer sich dem Himmel ubergeben / Philipp Heinrich Erlebach. 5. Herzlich lieb hab ich dich o Herr, SWV.348 / Heinrich Schutz. 6. Jubilate Domino / Dietrich Buxtehude. 7. Was hast du verwirket, SWV.307 / Heinrich Schutz. 8. Ach, Herr, lass deine lieben Engelein / Giovanni Rovetta. -UITV.: Andreas Scholl (countertenor) ; Concerto di Viole ; Basel Consort. - Harmonia Mundi HMC 901651
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