Opname: 2005
"This recording, coupling three of the orchestral works Howells wrote before the Second World War, is ample proof of his versatility. The Concerto for String Orchestra, partly cannibalised from an earlier suite, shows an indebtedness to the Tudor school by way of Vaughan Williams and early Tippett. The resonant acoustic of Liverpools Philharmonic Hall gives the strings a velvety sheen, perhaps at the expense of some textural clarity, but there is no lack of light and shade and the performance is well shaped. Tonal and dynamic variety are conspicuous also in the genial Three Dances of 1915, though Malcolm Stewarts vibrato may be excessive for some, especially in the slow central dance. It was the inexplicably hostile reaction to the Second Piano Concerto that, in 1925, left Howells demoralised and unable to compose anything of major importance for nearly a decade. To modern ears it seems easy listening. Kathryn Stott gives it a stylish performance, by turns nimble, serene and dramatic." (Wadham Sutton, BBC)
"Here is an enjoyable album of 20th-century British string music. If you dont know the composer Herbert Howells, familiarity with the string works of Vaughan Williams (and a bit of Britten) will give you some idea of what to expect. Howells Concerto for String Orchestra features two strong and stirring outer movements brimming with rhythmic vitality, while the somber and serious Quasi Lento, composed after the death of Howells son, builds to an emotional climax. Modeled on Vaughan Williams Tallis Fantasia, Howells Elegy for Viola, String Quartet, and String Orchestra showcases the solo viola as it leads us on an inward journey of tender reflection." (Classicstoday)
Opname: 2007
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