"Oleg Marshev is a committed interpreter of both works, with a strong technique, unflagging attention to detail, and the expressive temperament for this music. The Aarhus musicians are equally convincing, though Aeschbacher favors substituting mass for momentum at climaxes. Finally, the engineering is clean and forward, with the piano well balanced against the ochestra. In short, there are no revelations here, but the Bendix is a genuine pleasure. Piano buffs of the late 19th-century repertoire are accordingly apprised. There's much to enjoy from this fourth release in Danacord's Danish Piano Concerto series, easily on a par with Hyperion's equivalent series devoted to the Romantic Piano Concerto; and with rather more fire and spirit than some of Hyperions soloists." (Arkivmusic)
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