"Arriale is one of the most intellectual, introspective and insightful swingers on the current scene, bringing a flawless touch, an impeccable sense of complex rhythms and a harmonic curiosity to everything she attempts. Bernsteins America could easily be called Trinidad; A House Is Not a Home and The Nearness of You are so exquisite they make you want to cry; she can just as easily make you laugh with her playful, disjointed take on Monks Bemsha Swing. (JazzTimes)
Concert uit 1991 waarbij de Braziliaans-New Yorkse pianovirtuoos Elias wordt bijgestaan door de gepokte en gemazelde, extreem goed op elkaar ingespeelde ritmesectie Anderson/Nussbaum. De gevarieerde set bestaat uit 3 Elias-originals en 4 standards, waaronder twee Braziliaanse: swingende bossanova-thema's van Jobim, die het trio niet in de weg zitten in uitgebreide solo-exploraties, waardoor de stukken de tien-minutengrens halen. Dat geldt ook voor de niet-latinjazzstukken, waarin de drie zich veel spannende vrijheden permitteren.
Een bassist die misschien snel over het hoofd gezien wordt tussen de vele uitkomende jazz-cd's is Jay Anderson. Onterecht, want zijn spel is zeer geprononceerd, wat versterkt wordt door de 20-bit-opnamen op het DMP-label. Bovendien staan medemuzikanten als trompettist/bugelist Tim Hagans, mondharmonica-speler Toots Thielemans en drummer Jeff Hirschfield garant voor toegevoegde kwaliteit. Voornamelijk eigen composities sieren deze CD." (Muziekweb)
"The recording of studio jam sessions was frequent under producer Norman Granz during the '50s, but his dates were more in the spirit of competition vs. cooperation. Producer Nils Winther assembled three tenor saxophonists (Billy Drewes, Walt Weiskopf and Dick Oatts) and paired them with pianist Andy LaVerne, bassist Jay Anderson and drummer Adam Nussbaum to see what would develop. The extended workout of the pianist's "Triplicate" (which is based upon Miles Davis' "The Serpent's Tooth") provides a chance for the three reedmen to stretch out a bit, with the composer adding a fine solo as well. A brief ballad medley features each saxophonist individually in turn with the rhythm section, but the interplay within the spirited rendition of "Have You Met Miss Jones" and the snappy treatment of the old warhorse "You and the Night and the Music" really bring the musicians together to make them sound like they are old hands at working together yet still able to take a few risks. Recommended." (Ken Dryden, Allmusic)
"One of the first volumes of SteepleChase's series of studio jam sessions, saxophonists Dick Oatts, Don Braden, and Vincent Herring, join forces for some fireworks, accompanied by the top-notch rhythm section of pianist Andy LaVerne (one of the label's most frequently recorded artists), bassist Jay Anderson, and drummer Billy Drummond. LaVerne's up-tempo blues "Jamboree" features great solos and interplay by the front line, as do his breezy "Hat Trick" (showcasing all three on tenor sax) and the loping "How High the Moon." Braden's laid-back "Private Eye," and Oatts' breezy "April" inspire some of the best solos of the session. Each saxophonist has an individual ballad feature, though on this date, unlike many CDs in this series, they are not played together in a medley. The three tenors are also together for a rousing take of Sonny Rollins' "Airegin."" (Ken Dryden, Allmusic)
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