Narell's compositions take the music headlong into jazz, and the richness of the steel pan sound ripples and sways throughout. For added flavor and texture, guests Michael Brecker, Paquito D'Rivera, and Hugh Masekela bring their horns, but they're the icing on a swinging cake (full praise to the percussionists who make the whole ensemble swing). The music is deliciously complex without ever sounding it. It works just as well on slower pieces like "Song for Mia," where the drums create a latticework of melody that remains gorgeously balanced. Granted, at times it veers perilously close to smooth jazz, but then it always steers faultlessly as far as melody is concerned. The extended pieces, like the title cut and "Coffee Street," sail through moods, and "Dee Mwa Wee" offers slightly darker hues in its lovely minor key, with Masekela's flügelhorn bubbling gently over the top. (Bron: Allmusic).
"This was the debut release by the Caribbean Jazz Project, a colorful co-op project that combines together the very different but complementary styles of Paquito D'Rivera (doubling on alto and clarinet), Dave Samuels (on marimba and vibes) and the brilliant steel drummer Andy Narell. Backed by a four-piece rhythm section, the accessible group sticks mostly to catchy group originals that range from Latin jazz to Caribbean music. The likable results are melodic and not overly predictable. This CD gives listeners an excellent example of the group's sound." (Allmusic).
"Steel pan virtuoso Andy Narell with Mario Canonge, bassist Michel Alibo, and drummer Jean-Philippe Fanfant form Sakesho, a jazz quartet who draws much of their inspiration from the syncopated, polyrhythmic music from the islands of Martinique and Guadaloupe. The group lives up to their top billing with a collective heart in the musical mysteries of the French Caribbean on their first self-titled CD, one that features several videos, a bio, and song descriptions. With vocals contributed by Polo Athanase, a folkloric singer from Martinique, they take the songs to a higher level at the end with pulsating gwoka drumming by Fanfant. Sakesho, with their amazing offering of rhythmic diversity - beguine, mazouka, calypso, and traditional gwoka drumming styles - will have your feet moving to their spontaneity and soulful energy." (Allmusic)
"With The Long Time Band, Andy Narell provides an example of honest-to-God multiculturalism. Think about it: you've got a Jewish-American musician who is using an Afro-Caribbean instrument from Trinidad (the steel pan) to play a style of music that came out of the African-American community (jazz). But, as The Long Time Band demonstrates, jazz is hardly the only form of music that interests Narell. Though this is essentially a jazz CD, it's a jazz CD that contains elements of other African-American forms (funk, R&B, and blues) and also draws on everything from Afro-Cuban salsa and Afro-Caribbean calypso to African pop. Narell doesn't play "in the tradition" on this album. Rather, The Long Time Band is an example of a jazzman being fascinated with a variety of cultures and using that fascination to his creative advantage". (Alex Henderson, AllMusic).
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