"On A Monday Evening offers jazz fans a rare treat: an unreleased (and never bootlegged!) concert recording of The Bill Evans Trio, featuring Eddie Gomez and Eliot Zigmund. Captured live at Madison, Wisconsin's Union Theater on Monday, November 15, 1976, this recording finds Evans at the top of his game, performing both contemporary compositions from that era, as well as his longstanding signature tunes to a packed house". (Amazon Editorial Review).
"Pianist Bill Evans (who doubles on electric piano on this album for the final time in the recording studio) welcomes guest harmonica player Toots Thielemans and Larry Schneider (on tenor, soprano and alto flute) to an outing with bassist Marc Johnson (making his recording debut with Evans) and drummer Eliot Zigmund. The material contains some surprises (including Paul Simon's "I Do It for Your Love" and Michel Legrand's "The Other Side of Tonight") and only two jazz standards ("Body & Soul" and "Blue and Green") with the latter being the only Evans composition. Excellent if not essential music that Evans generally uplifts." (Scott Yanow, Allmusic)
"Captured in 1975, On a Friday Evening is an engaging and deeply intimate album that finds pianist Bill Evans and his trio in performance at Oil Can Harry's in Vancouver, British Columbia. Recorded by radio host Gary Barclay, the album was initially broadcast on Barclay's CHQM jazz show before languishing unheard for the next 40 years. Fully restored, this 2021 archival release finds Evans backed by one of his best latter-career rhythm sections featuring bassist Eddie Gomez and drummer Eliot Zigmund. Radio broadcasts of live concerts were not unheard of in the '60s and '70s, and On a Friday Evening works as a nice companion album to the similar 2017 radio restoration On a Monday Evening, which featured the same lineup and some of the same tunes. That said, On a Friday Evening is an even better sounding restoration and truly represents the intricate group dynamics and virtuosity they'd developed on tour together." (Allmusic)
"Bill Evans' career in live settings is well documented. This 1975 set in Sweden is unique as it is one of his rare outings accompanying a vocalist in concert, Swedish singer Monica Zetterlund, who sits in with him for the latter half of this show. The first half features four numbers by his trio with bassist Eddie Gomez and drummer Eliot Zigmund, kicking off with a tantalizing version of "Sugar Plum". Evans had accompanied Zetterlund on one of her early recordings, but it is surprising to hear their reunion on a club date, since he rarely played with a vocalist in front of an audience. The Swedish vocalist has long been underrated, in spite of her impressive recordings. She is an understated singer, yet true to each song, beginning with an intimate "Come Rain or Come Shine." Evans' inventive backing for her in "What's New" is a highlight. Zetterlund reaches her emotional peak with her striking take of Michel Legrand's "Once Upon a Summertime."" (Allmusic)
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