"Milt Jackson made a number of solo albums during his long tenure with the Modern Jazz Quartet, but this long unavailable release, finally reissued on CD, is one of his best as a leader. With young pianist McCoy Tyner and tenor saxophonist Jimmy Heath, Jackson puts together a great session, kicking off with his hard driving "Sonny's Blues." The leader's percussive but swinging style, plus the potent solos by Tyner and Heath, are all appealing. The only reservation about this CD is the deteriorated condition of the master tape from which it was made; it is rather noticeable on several tracks, though finding a mint copy of the original record is not a viable option for most collectors. Pick this one up in a heartbeat." (Allmusic)
"It seems strange that the music on this CD was not released initially until 1980. Trumpeter Lee Morgan had had an unexpected hit with "The Sidewinder," so his more challenging recordings were temporarily put aside. As it turns out, this was one of Morgan's better sets from the 1960s and he had gathered together quite an all-star cast: altoist Jackie McLean, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Art Blakey. They perform "Rigormortis," McCoy Tyner's "Twilight Mist," and three of the trumpeter's originals, including the title cut. The advanced hard bop music still sounds fresh decades later despite its initial neglect." (Tom Yanow, Allmusic)
"This CD fills an important gap in the discographies of both Joe Williams and Ben Webster. While Williams was in town for a week-long gig at Pio's in Providence, Rhode Island, he and his group (pianist Junior Mance, bassist Bob Cranshaw and drummer Mickey Roker) were surprised to find Ben Webster in the club one night, so he was invited to sit in. Everyone on the date is in terrific form. Williams is masterful throughout the evening, inserting a touch of humor to his receptive and attentive audience as he glides effortlessly through the set. The vocalist is especially complemented by Webster's robust tenor in a sensitive ballad like "A Hundred Years From Today" or a mid-tempo swinger like "Just A-Sittin' and A-Rockin'." Like many club recordings made in the mid-'60s, the sound quality of the rhythm section is a tad muddy, but any fan of Joe Williams will easily adjust to it. Highly recommended." (Ken Dryden, Allmusic)
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